Web fame cannot create traditional celebrity but produces a distinct micro-celebrity instead

Evidence

Stories like Tequila’s demonstrate the trouble with using terms like ‘celebrity’ to discuss popular Web personalities. As Horkheimer and Adorno made clear, celebrity and capital are inextricably linked in the modern age: indeed, the former exists to prop up the latter. Yet in terms of both raw audience numbers and economic gain, Web stars pale in comparison to even ‘D List’ performers in the film, television and music industries. While the Web can be used as a platform for traditional celebrity—Tila Tequila was recently hired by MTV to appear in her own show—it cannot create oldfashioned stars of its own. Instead, the Web provides the conditions for what I call ‘micro-celebrity.’ — Theresa M. Senft, Camgirls, 194

Categorization

  • DEFINE: Introduces micro-celebrity as a distinct concept from conventional celebrity formed on the Web.
  • XREF: Connects to Horkheimer and Adorno’s culture-industry account of celebrity serving capital, which grounds the Frankfurt School materials. — connects to: Traditional celebrity rests on achievement or position but fame itself has other sources — Crystal Abidin, Internet Celebrity: Understanding Fame…, 64; Becoming a viable internet celebrity from a viral meme is rare and luck-driven — Crystal Abidin, Internet Celebrity: Understanding Fame…, 162; Online fame remains fractional in value and resources compared to traditional stardom. — Alice E. Marwick, Instafame: Luxury Selfies in the…, 12 (+5 more)

Broader Connections