Global fiction contests Islamophobia by refusing the clash-of-civilizations model

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• Literature resists Islamophobic universalism by structuring feeling and imagining alternative experiences (similarity 0.87)
• Fiction contests Islamophobia either by direct Islamic subjectivity or by oblique readerly defamiliarization. (similarity 0.87)
• Islamophobic claims serve to positively define their speakers rather than describe Muslims (similarity 0.86)
• Even anti-Islamophobic Muslim novels indirectly accept the frame they oppose. (similarity 0.85)
• European Islamophobia is more layered because it rests on living history of Islamic conquest. (similarity 0.83)
• Academic definitions of Islamophobia must be coupled with lived testimony. (similarity 0.83)
• The native-informer dynamic lets writers simultaneously acknowledge and deny their Muslim origins (similarity 0.83)
• Few books treat Islamophobia as a transnational, globally interconnected system (similarity 0.83)
• Formal choices like omniscience can both underpin and expose Islamophobic agendas (similarity 0.83)
• Interrogating Western-ness is required to expunge Islamophobia (similarity 0.83)
• Islamic Orientalists turned alienation into superiority rather than self-understanding (similarity 0.83)
• Islamophobia worldwide shares the core link between Islam and terrorism (similarity 0.82)
• Individual Muslim writers are not trapped by the interpretive frame that dominates their reception (similarity 0.82)
• Arabist and Islamic studies resisted the revision that reformed other area studies (similarity 0.82)
• Islamophobia now wages wars across both Western and non-Western states (similarity 0.82)