Capital profits from local cultural uniqueness while destroying it via gentrification and homogenization

Evidence

According to David Harvey (2012, 89–113), the city is a zone in which capitalism negotiates the problem of cultural autonomy. Capital is driven, in part, by competition for monopoly rents and the ability to profit by delimited access to scarce or unique “resources.” While this is perhaps clearest in the case of canals, railways, land, natural resources and large-scale or irreproducible infrastructure, Harvey’s concern is for the ineffable substance of “local” culture and the way a whole variety of industries, notably tourism and real estate, attempt to capitalize on the unique character of global spaces and cities. For Harvey, capital’s engagement with these zones is complex. On the one hand, there is a recognition that this uniqueness, however saleable and valuable it may be, is the product of a certain degree of cultural and economic autonomy and is the outgrowth of largely non-market relationships and forms of cooperation. At the same time, capital necessarily seeks to capture and to exploit that uniqueness, typically replacing it with corporate monocultures, as part of its drive towards globalization. As local property speculators, regional chains and global firms discover unique cultural zones and flock to them, they either bring with them the homogenizing effects of global capital, or they drive up local rents and prices, pushing out their original creative residents. — Max Haiven, Cultures of Financialization, 463

Categorization

  • XREF: Directly relevant to the reader’s goal of bridging to deWaard’s cultural argument: this is the spatial/urban version of finance colonizing culture. Also dovetails with the ADDENDUM angle on trees-as-infrastructure in that rent capture operates as an infrastructural force. — connects to: Financialization colonizes culture by fusing economic price with social value — Max Haiven, Cultures of Financialization, 561; Financialization lets capital extract value from social life without destroying its creative source ecosystems — Max Haiven, Cultures of Financialization, 572; Neoliberalism reshapes cultural incentives by prioritizing extreme profit seeking (+10 more)
  • ADDENDUM: The monopoly-rents-on-uniqueness mechanism (capital capturing quaintness, authenticity, locality) parallels how trees/landscaping get captured as aesthetic infrastructure — same capture-and-monoculture logic.

Broader Connections