Rise of finance capital is inseparable from the postmodern turn in culture

Evidence

Jameson argued that the increasingly abstract nature of the financial economy was finding its articulation in popular culture, from the frenetic pastiche of postmodern film and art to the money-centric architecture and design of an increasingly homogenized archipelago of global cities on whose speculative real-estate empires the financial sector depended (1997). For Jameson, the rise of finance capital is inseparable from the postmodern turn, and its disjunctive and hybridizing cultural practices and texts cannot be understood except within the context of a post-gold-standard world, where money has no fixed meaning and where debt and credit rule. — Max Haiven, Cultures of Financialization, 93

Categorization

  • XREF: Direct precursor to the exact cultural argument the reader is after — finance’s abstraction surfacing as postmodern pastiche and homogenized urban architecture. — connects to: Finance capitalism now shapes collective imagination the way print capitalism built nations — Aris Komporozos-Athanasiou, Speculative Communities: Living with…, 271; Finance creatively generates new forms of social and political life — Aris Komporozos-Athanasiou, Speculative Communities: Living With…, 98; Money’s instability created postmodernity’s crisis of representation — David Harvey, The Condition of Postmodernity: An…, 1883 (+15 more)
  • QUESTION: Testable claim: does post-gold-standard money’s unfixed meaning actually map onto postmodern culture’s decentering, or is this a suggestive correlation?

Broader Connections