A strictly periodic tone can still be perceived as two distinct notes
Related
- Frequency separation between two tones systematically shifts fusion, roughness, then resolution (similarity 0.83)
- Low-frequency tones become relatively louder as level increases. (similarity 0.83)
- No keyboard tuning can make every key sound justly intonated (similarity 0.83)
- A scale built from pure major-triad intervals yields the just diatonic scale. (similarity 0.83)
- Only the octave stays perfectly in-tune in equal temperament (similarity 0.82)
- Even steady-state musical notes vary in amplitude envelope over time. (similarity 0.82)
- Vibrato produces tremolo when harmonics sweep across resonant peaks (similarity 0.82)
- Piano hammers and drumsticks produce repeated impacts creating non-linearity (similarity 0.82)
- Harmonic spacing theories also fail once harmonics are non-adjacent (similarity 0.82)
- Specific meaning arises only from an arbitrary contingent break (similarity 0.81)
- Reed material and support determine its harmonic content (similarity 0.81)
- Hard reeds fix pitch, freeing resonators to shape only harmonics (similarity 0.81)
- Raising a tone’s level lowers low-frequency pitch but raises high-frequency pitch (similarity 0.81)
- A pianoforte with raised dampers can physically re-echo sung vowels via sympathetic resonance (similarity 0.80)
- Interval ratios between adjacent scale notes derive from division of C-based ratios (similarity 0.80)