Only the octave stays perfectly in-tune in equal temperament
Related
- Equal temperament makes combination tones slightly out of tune (similarity 0.89)
- No keyboard tuning can make every key sound justly intonated (similarity 0.89)
- Tenors need not tune their tracts because their pitch-to-formant ratio stays high (similarity 0.86)
- Even steady-state musical notes vary in amplitude envelope over time. (similarity 0.85)
- Vibrato produces tremolo when harmonics sweep across resonant peaks (similarity 0.84)
- Flute playing frequencies are impedance minima; trumpetās are maxima (similarity 0.84)
- Equal temperament tuning relies on learned memory with no physical beating guide (similarity 0.83)
- A capella groups can adopt just intonation, causing overall pitch to drift through keys (similarity 0.83)
- A pianoforte with raised dampers can physically re-echo sung vowels via sympathetic resonance (similarity 0.82)
- Musical scales universally favor intervals with small integer frequency ratios (similarity 0.82)
- A strictly periodic tone can still be perceived as two distinct notes (similarity 0.82)
- Hard reeds fix pitch, freeing resonators to shape only harmonics (similarity 0.82)
- Raising a toneās level lowers low-frequency pitch but raises high-frequency pitch (similarity 0.81)
- A scale built from pure major-triad intervals yields the just diatonic scale. (similarity 0.81)
- Halving a barās length raises transverse modes two octaves but longitudinal modes one octave. (similarity 0.81)