A scale built from pure major-triad intervals yields the just diatonic scale.
Related
- Pure ratio intervals on three chords generate the entire just diatonic scale (similarity 0.87)
- Musical scales universally favor intervals with small integer frequency ratios (similarity 0.87)
- Interval ratios between adjacent scale notes derive from division of C-based ratios (similarity 0.86)
- A strictly periodic tone can still be perceived as two distinct notes (similarity 0.83)
- Western major scales consist of five whole tones and two semitones in fixed arrangement (similarity 0.82)
- The mel scale conflicts with musical logarithmic scales but remains useful in technical applications (similarity 0.81)
- Only the octave stays perfectly in-tune in equal temperament (similarity 0.81)
- Vibrato produces tremolo when harmonics sweep across resonant peaks (similarity 0.80)
- No keyboard tuning can make every key sound justly intonated (similarity 0.80)
- Reed material and support determine its harmonic content (similarity 0.80)
- Just diatonic scale derives non-tonic notes from the dominant chord (similarity 0.80)
- Harmonic spacing theories also fail once harmonics are non-adjacent (similarity 0.80)
- Subjects flatten adjusted intervals but not from a pure just-intonation bias. (similarity 0.79)
- A cent is one hundredth of an equal tempered semitone (similarity 0.79)
- Piano hammers and drumsticks produce repeated impacts creating non-linearity (similarity 0.79)