1970s hi-fi loudness controls compensated for low-level hearing loss but were flawed
Related
- High ambient noise forces listeners to raise volume toward hearing-loss levels (similarity 0.86)
- Modern headphones can prevent rather than cause hearing loss (similarity 0.85)
- Hearing thresholds vary individually but share a common perceptual order (similarity 0.85)
- Vintage hi-fi loudness buttons compensated imperfectly for low-level hearing loss (similarity 0.84)
- Microphones and loudspeakers are not truly reciprocal transducers (similarity 0.83)
- Auditory sensitivity varies nonuniformly across the frequency range (similarity 0.83)
- The 1970s loudness button wrongly assumed a flat frequency response (similarity 0.83)
- Speech reception thresholds plateau beyond a target low-pass attenuation floor (similarity 0.82)
- Scientific studies of loudspeaker directivity effects in rooms are scarce despite high enthusiast interest (similarity 0.82)
- Hyperacusis and tinnitus persist even despite decades of careful ear protection (similarity 0.82)
- Low-frequency residual sound may contribute disproportionately to binaural loudness (similarity 0.82)
- Auditorium speaker placement creates extreme sound level variation from front to back (similarity 0.82)
- Low-frequency tones become relatively louder as level increases. (similarity 0.82)
- The audiogram normalizes hearing data so deviations from typical are visually obvious (similarity 0.81)
- Amounts of masking are expressed as dB differences, not absolute dB SPL levels. (similarity 0.81)