Postmodern hyperspace emerges from tension between two distinct spatial structures

Evidence

But such hyperspace — Macrae-Gibson’s second and third types of space — is itself the result of the tension between two terms or poles, two distinct kinds of spatial structure and experience, of which we have so far mentioned only one (namely, the cube and the corrugated wall, the external wrapping). We must therefore proceed on to the most archaic parts of the house itself — the older surviving stairs, bedrooms, bathrooms, and closets — to see not merely what it was that had to be even partially transformed but also whether that traditional syntax and grammar is susceptible to Utopian transformation. — Fredric Jameson, Postmodernism, or, The Cultural Logic…, 307

Categorization

• XREF: connects to: Dialectical criticism of superstructures shifts from causal point-field analysis to homology between two continua — Fredric Jameson, Marxism and Form, 44; Postmodern space emerges only from the dialectical collision of old and new architectural forms — Fredric Jameson, Postmodernism, or, The Cultural Logic…, 311; Modernist spatial form unifies parts into a whole while postmodern spatialization disperses totality — Fredric Jameson, Postmodernism, or, The Cultural Logic…, 910
• yield-rescued: below the book’s yield-target cutoff, included anyway for connecting to: Dialectical criticism of superstructures shifts from causal point-field analysis to homology between two continua — Fredric Jameson, Marxism and Form, 44; Postmodern space emerges only from the dialectical collision of old and new architectural forms — Fredric Jameson, Postmodernism, or, The Cultural Logic…, 311; Modernist spatial form unifies parts into a whole while postmodern spatialization disperses totality — Fredric Jameson, Postmodernism, or, The Cultural Logic…, 910