Mixed-end tubes resonate only at odd multiples of the fundamental frequency

Evidence

In a complete brass instrument, it is possible through the use of an appropriately shaped bell, mouthpiece and mouthpipe to construct an instrument whose modes are frequency shifted from the odd-only modes of a stopped cylindrical pipe to being very close to a complete harmonic series. In practice, the result is a harmonic series in which all modes are within a few percent of being integer multiples of a common lower-frequency value except for the first mode itself, which is well below that lower-frequency value common to the higher modes, and therefore it is not harmonically related to them. — David M. Howard, Jamie Angus, Acoustics and Psychoacoustics, 1250 (#qualifies, via linked claim)

Categorization

  • XREF: connects to: Sounding boards do not amplify every frequency via resonance; A closed narrow-end cone acts like a double-open cylinder giving all harmonics — Eric J. Heller, Why You Hear What You Hear- An…, 1472; A closed pipe end reflects a pulse with no energy loss without moving (+11 more)

Broader Connections