Inserting a temporal gap can change a sound’s spectrum, confounding gap measures
Related
- Inserting a temporal gap into a stimulus produces spectral splatter at the gap edges (similarity 0.84)
- Delays too short for echoes still audibly alter timbre through spectral combs (similarity 0.84)
- The auditory spectrum differs from the physical power spectrum in resolution and shape (similarity 0.83)
- Detecting changes in auditory textures depends mainly on integration time available (similarity 0.83)
- Auditory sensitivity varies nonuniformly across the frequency range (similarity 0.83)
- Tones confound gap detection with spectral-change detection. (similarity 0.82)
- Frequency separation between two tones systematically shifts fusion, roughness, then resolution (similarity 0.82)
- Low-frequency tones become relatively louder as level increases. (similarity 0.82)
- Adding soft noise can make music subjectively sound more brilliant (similarity 0.81)
- Musical scales universally favor intervals with small integer frequency ratios (similarity 0.81)
- Auditorium speaker placement creates extreme sound level variation from front to back (similarity 0.81)
- Temporal change is a defining feature of natural sound perception (similarity 0.81)
- Amounts of masking are expressed as dB differences, not absolute dB SPL levels. (similarity 0.81)
- A time delay of a reflection imprints a comb of enhanced and suppressed frequencies (similarity 0.81)
- Sounds can mask both slightly earlier and later probe sounds (similarity 0.81)