Hegel’s system is historically unreadable as a whole in modern society

Evidence

Yet the overall organization is no longer comprehensible for us. The organizational framework, the notion of an Absolute Spirit, the possibility for the isolated subjectivity to achieve an entire self-contained world, an equivalence with the real world itself, has become inadmissible and even unthinkable in modern society, where the highly restricted worth of the individual subjectivity is only too clear, where people are at once irrevocably interrelated to each other and condemned to view the whole through the distorting windows of their own positions in it. Thus, even though one can reread Hegel, we are never able to reach the vantage point of that last chapter which would finally permit us to catch a glimpse of the work as a whole. The synthesis remains imperfect, a mere imperative to unity, a dead letter: and this imperfect focus holds true even down to the reading and rendering of the individual sentences. The very indifference to publication, the unrevised and approximate versions in which the system has come down to us and which offer the paradox of “a thought of such boundless assertions renouncing the attempt to perpetuate itself in definitive and determinate form” suggest Hegel’s own awareness of this dilemma. “In the sense in which we nowadays speak of antimatter,” Adorno says, “the Hegelian texts are antitexts.” Such a structure accounts for the unique difficulty presented by a philosopher who can only be read in fragments and only understood in the light of the whole. — Fredric Jameson, Marxism and Form, 107

Categorization

  • XREF: Adorno’s antitexts line connects directly to Jameson’s Frankfurt-School lineage — the fragment/dialectic reading method of Adorno and Benjamin. — connects to: Modern critiques of Hegel expose our historical limits, not his — Fredric Jameson, Marxism and Form, 105; Hegel’s totalizing system itself relapsed into mythology; Hegel solved modernity’s self-justification problem too completely through Absolute reason — Alex Callinicos, Against Postmodernism: A Marxist…, 264 (+2 more)
  • QUESTION: Jameson here maps his own Immanent Aesthetic method — totalization impossible, hence fragmentary reading. Worth tracing whether this grounds his method across the whole book.

Broader Connections