Enlightenment science and Romanticism both renewed medieval Muslim-monster fantasies rather than ending them

Evidence

The trend toward the exotic was fueled by the growth of Romanticism, an artistic and philosophical movement of the eighteenth and nineteenth centuries. The image of an exotic Orient associated with “sensuality, promise, terror, sublimity, idyllic pleasure, [and] intense energy” can be found in the works of musicians, painters, novelists, and philosophers from Mozart to Byron, Hugo, and Goethe. To be fair, the Romantics did not only look to the East for the exotic: they also looked to their own past, drawing from Gothic tales and stories of European barbarians. — Deepa Kumar, Islamophobia and the Politics of Empire, 89 (#exemplifies, via linked claim)

Categorization

  • XREF: connects to: Enlightenment thinkers retained older anti-Muslim stereotypes — Green, Todd H, The Fear of Islam_ An Introduction to…, 161; History invents phantasms — fantasies attached to Muslim bodies — that remain powerful; Enlightenment science created monsters that were not theologically constructed. (+10 more)

Broader Connections