Cultural Studies’ founding texts were acts of recovery of prior traditions

Evidence

Cultural Studies is a discursive formation, in Foucault’s sense. It has no simple origins, though some of us were present at some point when it first named itself in that way. Much of the work out of which it grew, in my own experience, was already present in the work of other people. Raymond Williams has made the same point, charting the roots of Cultural Studies in the early adult education movement in his essay on “The Future of Cultural Studies” (1989). “The relation between a project and a formation is always decisive,” he says, because they are “different ways of materializing … then of describing a common disposition of energy and direction.” Cultural Studies has multiple discourses; it has a number of different histories. It is a whole set of formations; it has its own different conjunctures and moments in the past. It included many different kinds of work. I want to insist on that! It always was a set of unstable formations. — Hall, Stuart, Essential Essays, Volume 1, 236 (#qualifies, via linked claim)

To this end, he offers a brief history of how Cultural Studies in Birmingham developed through its critical engagements with a variety of intellectual positions and traditions. Thus, he traces the long engagement of Birmingham’s Centre for Contemporary Cultural Studies with a variety of forms of Marxism (from the New Left to Gramsci), especially with respect to its economic determinism and Eurocentrism; with the emerging forms of feminism and their critique of patriarchy within CCCS itself; and with the further destabilization of Cultural Studies’ initial premises and by the emergence of questions of race and ethnicity. — Hall, Stuart, Essential Essays, Volume 1, 128 (#expands, via linked claim)

Categorization

Category: Definitional Content

Broader Connections