Cultural Studies engaged Marxism through its omissions, not its established doctrines.

Evidence

What I mean by that is certainly not that I wasn’t profoundly, and that Cultural Studies then wasn’t from the beginning profoundly, influenced by the questions that Marxism as a theoretical project put on the agenda: the power, the global reach and history-making capacities of capital; the question of class; the complex relationships between power, which is an easier term to establish in the discourses of culture than exploitation, and exploitation; the question of a general theory which could, in a critical way, connect together in a critical reflection different domains of life, politics and theory, theory and practice, economic, political, ideological questions, and so on; the notion of critical knowledge itself and the production of critical knowledge as a practice. These important, central questions are what one meant by working within shouting distance of Marxism, working on Marxism, working against Marxism, working with it, working to try to develop Marxism. — Hall, Stuart, Essential Essays, Volume 1, 240 (#corroborates, via linked claim)

I want to look at two other theoretical moments in Cultural Studies which interrupted the already interrupted history of its formation. Some of these developments came as it were from outer space: they were not at all generated from the inside, they were not part of an inner-unfolding general theory of culture. Again and again, the so-called unfolding of Cultural Studies was interrupted by a break, by real ruptures, by exterior forces; the interruption, as it were, of new ideas, which decentered what looked like the accumulating practice of the work. There’s another metaphor for theoretical work: theoretical work as interruption. — Hall, Stuart, Essential Essays, Volume 1, 247 (#corroborates, via linked claim)

Categorization

Category: Causal Relationships

Broader Connections