Concentrating loudspeakers at one point yields the best direct-to-reverberant ratio for a space
Related
- Scientific studies of loudspeaker directivity effects in rooms are scarce despite high enthusiast interest (similarity 0.87)
- Auditorium speaker placement creates extreme sound level variation from front to back (similarity 0.83)
- Intelligent equalization requires understanding a space’s direct-to-reverberant balance (similarity 0.82)
- Spherical enclosures give the smoothest loudspeaker frequency response (similarity 0.82)
- Speaker power output changes with room dimensions only via their ratios (similarity 0.82)
- Microphones and loudspeakers are not truly reciprocal transducers (similarity 0.82)
- Perforated projection screens reflect sound back toward loudspeakers (similarity 0.81)
- Walls must be rough on many scales to scatter sound diffusely (similarity 0.81)
- The optimum direct-to-reflected sound ratio rises from speech to music (similarity 0.81)
- Faster reaction times track louder sounds only at moderate to high levels (similarity 0.81)
- High ambient noise forces listeners to raise volume toward hearing-loss levels (similarity 0.80)
- Loudspeaker arrays can create private sound zones within one large listening area. (similarity 0.80)
- Sound’s constant speed across wavelengths is what preserves speech intelligibility (similarity 0.80)
- Reverberant rooms favor directional loudspeakers to control sound colouration (similarity 0.80)
- Distributing absorption in small random amounts around a room improves sound diffusion (similarity 0.80)