Weighting-curve blind spots create incentive to over-boost bass

Evidence

Because the measure responds mainly to high-frequency sounds, it is not surprising that mixers repurposing soundtracks for trailers end up liberally boosting the bass because it does not show up in the measurement. Success is evaluated by the level of audience complaints, which guides the decision of what level is acceptable. I know of no scientifically conducted verification of the method. — , Toole, Floyd E - Sound reproduction-…, 1581

Categorization

  • CANDY: A pithy example of gaming a metric: trailer mixers boost bass because their annoyance metric is blind to low frequencies.
  • XREF: Connects to the law of unintended consequences in measurement design, like Milgrom on how institutions reshape behavior around metrics. — connects to: Listeners prefer excessive, even colored bass over deficient bass; Small bass-level changes strongly alter perceived spectral balance; The Harman target satisfies most listeners but bass preferences split by age and gender (+2 more)

Broader Connections