Web 2.0 culture made audience size an alternate status hierarchy alongside engineering wealth.

Evidence

On Facebook, the decline was even more pronounced. The platform became the “dying Rust Belt city of the internet,” overrun with vapid AI-generated clickbait videos promising shocking revelations but delivering literally nothing. Instagram, meanwhile, succeeded in popularizing Stories, copied from Snapchat. Then it tried to steal the mojo of TikTok, stuffing feeds with vertical-video Reels from accounts that the user didn’t follow. Zuckerberg launched Threads in 2023 as a competitor to Twitter, reaching 275 million users through engagement hacks. But as tech reporter Katie Notopoulos noted, it did so “without ever having any sort of usefulness, unique culture, or ‘moment.’ ” But the true Twitter-killer was Elon Musk, whose stewardship of the platform, rebranded as X, exemplified the internet’s growing dysfunction. — W. David Marx, Blank Space, 702 (#complicates, via linked claim)

Amidst the rising popularity of social media entertainment and YouTube content production in the early to mid-2010s, ratings for traditional media outlets such as television were dipping. Producers and directors for the small and big screens, as well as editors for print media, began engaging internet celebrities to cameo in or anchor content on their respective domains in a bid to capture the youth audience. — Crystal Abidin, Internet Celebrity, 198 (#corroborates, via linked claim)

Categorization

  • XREF: connects to: The rise of personalized web consumption ended broadcasters’ power to compel attention — Tim Wu, The Attention Merchants, 921; Web 2.0 culture promotes a neoliberal identity that is constructible and improvable. — Alice E. Marwick, Status Update: Celebrity, Publicity,…, 495; The early internet’s value lay precisely in sheltering niche subcultures from mainstream attention (+5 more)

Broader Connections