The fundamental project is the for-itself’s choice of its own being-in-the-world.

Evidence

In any case it is evident following our analysis that the way in which my companion suffers his fatigue necessarily demands—if we are to understand it—that we undertake a regressive analysis which will lead us back to an initial project. 
 But this original relation is nothing other than the for-itself’s being-in-the-world inasmuch as this being-in-the-world is a choice—that is, we have reached the original type of nihilation by which the for-itself has to be its own nothingness. No interpretation of this can be attempted, for it would implicitly suppose the being-in-the-world of the for-itself just as all the demonstrations attempted by Euclid’s Postulate implicitly suppose the adoption of this postulate. — Jean-Paul Sartre, Being and Nothingness, 1107

Categorization

  • DEFINE: Clarifies that the ‘original project’ is defined as the for-itself’s nihilation of facticity — chosen being-in-the-world.
  • XREF: The regressive analysis toward an initial, uninterpretable project parallels Sartre’s later account of original choice in The Transcendence of the Ego and echoes how Beauvoir takes up the for-itself’s fundamental project. — connects to: Finitude is the necessary condition of the For-itself’s original project; Original projects of the for-itself are logically irreducible to any pre-existing motive.; The for-itself’s project is a concrete individual choice, not an abstract universal — Jean-Paul Sartre, Being and Nothingness: An Essay on
, 1384 (+9 more)
  • QUESTION: How does the Euclidean-postulate analogy square with Sartre’s insistence that bad faith already presupposes freedom? If the fundamental project resists interpretation, what does that do to the possibility of self-knowledge?

Broader Connections