Strong energy above the fifth harmonic makes instruments sound bright

Evidence

Instruments among those for which spectra have been presented, which have significant amplitudes in harmonics above the fifth or seventh during their steadystate phases, include organ reed stops (see Figures 4.22 and 5.2), the tenor saxophone (see Figures 4.24 and 5.3), the trumpet (see Figure 5.4), the violin and professional singing voice (see Figure 5.5). The timbres of such instruments might be compared with those of other instruments using descriptive terms such as “bright,” “brilliant” or “shrill.” — David M. Howard, Jamie Angus, Acoustics and Psychoacoustics, 1475

Categorization

  • XREF: Connects the psychoacoustic harmonic criterion to the ordinary descriptive vocabulary musicians use — a bridge between the acoustic and the experiential. — connects to: Bright timbres stem from strong energy in harmonics above the seventh; Playing wind instruments louder shifts spectral energy toward higher harmonics. — Eric J. Heller, Why You Hear What You Hear- An…, 2257; A singer’s formant boosts a distinct energy band near 2.4-3.5 kHz (+16 more)

Broader Connections