Spectators actively co-constitute the spectacle in their daily lives rather than passively receiving it
Evidence
This emphasis is often misinterpreted as the passivity of a viewer sitting in front of flows of images passing before their eyes. But the spectator is never a mere viewer. The spectacle comes alive in spectatorsâ interactions with others outside the constraints of the media; it is a representation of an imagined community that is reconstituted in the viewersâ own everyday lives (Toscano and Kinkle 2015). ⊠Commodification of having was thus superseded by commodification of appearing, and sociality itself became an object of value exchange. â Aris Komporozos-Athanasiou, Speculative Communities, 194
Categorization
- XREF: The âspectator is never a mere viewerâ point echoes Andersonâs imagined communities and connects to how my readerâs own framing of homo speculans will need a similarly non-passive subject. â connects to: Racialized leisure makes the traveler a spectacular sight rather than a spectator â Rob Nixon, Slow Violence and the EnvironmentalismâŠ, 531; Under modern production, lived experience becomes representation and spectacle â Guy Debord, The Society of the Spectacle, 12
- DEFINE: Defines the non-passive spectator and marks the shift from commodification of having to commodification of appearing â a hinge the book presumably adapts into speculation.