Perceived instrument character is shaped by the time evolution of sound amplitude

Evidence

The envelopes of the sounds of musical instruments can often be divided into different phases in time. The attack represents the phase when the amplitude of sound increases. After this, the behaviour of the sound depends on the type of the source. In string instruments, the amplitude first decreases rapidly, after which a shallower decrease is reached. In electric instruments, the attack is often followed by decay, a decrease in amplitude; sustain, a constant amplitude; and release, a decrease of the amplitude until silence. This sequence is sometimes called the ADSR-sequence. — Ville Pulkki, Matti Karjalainen, Communication Acoustics- An…, 686

Categorization

Category: Definitional Content

  • DEFINE: Defines the ADSR sequence (attack-decay-sustain-release) and distinguishes acoustic instrument decay from electric instrument sustain envelopes.
  • XREF: Connects to synthesizer envelope concepts (ADSR envelopes in subtractive synthesis) well-known in audio programming and sound design.