Orientalist paintings fused titillation with disgust to justify Western rescue missions

Evidence

Her complete objectification and humiliation communicates to western audiences the inferiority of Muslim societies. While the painting is on the one hand titillating to a male heterosexual viewer, it also evokes disgust and a sense of western superiority. Not least, it validates the argument that the West needs to rescue Muslim women. — Deepa Kumar, Islamophobia and the Politics of Empire, 303

Categorization

Category: Causal Relationships

  • ADDENDUM: Directly supports the ‘Complaints About Immodesty’ article’s thesis — that visual depictions of other bodies simultaneously eroticize and condemn them, making the ‘rescue’ of their wearers a colonial imperative.

Broader Connections