Orientalism’s ontological rigidity makes its fantasies nearly impossible to dismantle

Evidence

The trend toward the exotic was fueled by the growth of Romanticism, an artistic and philosophical movement of the eighteenth and nineteenth centuries. The image of an exotic Orient associated with “sensuality, promise, terror, sublimity, idyllic pleasure, [and] intense energy” can be found in the works of musicians, painters, novelists, and philosophers from Mozart to Byron, Hugo, and Goethe. To be fair, the Romantics did not only look to the East for the exotic: they also looked to their own past, drawing from Gothic tales and stories of European barbarians. — Deepa Kumar, Islamophobia and the Politics of Empire, 89 (#expands, via linked claim)

Categorization

  • XREF: connects to: Said held that Orientalism cannot be corrected by factual research because it is power. — Green, Todd H, The Fear of Islam_ An Introduction to…, 205; Civilizational identity is fluid, not fixed or walled off — Green, Todd H, The Fear of Islam_ An Introduction to…, 232; Orientalism ignores factual accuracy in favor of exotic horror (+13 more)

Broader Connections