Musical instrument acoustics reduce to a source-modifier model
Related
- Musical instruments are analyzed as input through a modifying system to output (similarity 0.90)
- All musical instruments and voices share a source-filter acoustic structure (similarity 0.89)
- Measured instrument spectra reveal both the source and the sound modifiers at once (similarity 0.87)
- Every stringed instrument is analyzable as a sound source plus modifiers (similarity 0.83)
- Most real instruments are nonlinear and resist simple filter-cascade modelling (similarity 0.82)
- Instrument sound equals input spectrum multiplied by body response (similarity 0.82)
- Physically modeling sound sources enables flexible digital instruments (similarity 0.82)
- No keyboard tuning can make every key sound justly intonated (similarity 0.81)
- Audio coding aims to reconstruct signals while other processing modifies them (similarity 0.81)
- Physically modeled synthesis can adjust piano characteristics without resampling (similarity 0.81)
- Amounts of masking are expressed as dB differences, not absolute dB SPL levels. (similarity 0.81)
- Only the octave stays perfectly in-tune in equal temperament (similarity 0.80)
- Instrument behavior emerges from a shared set of physical mechanisms (similarity 0.80)
- Adding soft noise can make music subjectively sound more brilliant (similarity 0.80)
- Hard reeds fix pitch, freeing resonators to shape only harmonics (similarity 0.80)