Mass-produced culture reduces individuality to a stamped counterfeit detail

Evidence

In the culture industry the individual is an illusion not merely because of the standardization of the means of production. He is tolerated only so long as his complete identification with the generality is unquestioned. Pseudo individuality is rife: from the standardized jazz improvization to the exceptional film star whose hair curls over her eye to demonstrate her originality. What is individual is no more than the generality’s power to stamp the accidental detail so firmly that it is accepted as such. — Theodor W. Adorno, Max Horkheimer, Dialectic of Enlightenment, 117

Categorization

  • DEFINE: Defines the crucial concept of ‘pseudo individuality’ as the core mechanism of mass culture.
  • XREF: Connects to the reader’s interest in Burns’s invocation of Adorno, and to the Yale-lock analogy as a mass-production metaphor. — connects to: Cultural mass production renders people interchangeable copies stripped of individuality — Theodor W. Adorno, Max Horkheimer, Dialectic of Enlightenment, 113; Mass culture standardizes the individual through modish technique packaging decayed contents — Theodor W. Adorno, The Culture Industry: Selected Essays…, 111; Mass culture replaces genuine art experience with identification and evaluation — Theodor W. Adorno, The Culture Industry: Selected Essays…, 124 (+5 more)

Broader Connections