Mass culture perfects its technical presentation while the content remains fatuous and standardized

Evidence

Mass culture is unadorned make-up. It assimilates itself to the realm of ends more than to anything else with a sober look that knows no nonsense. The new objectivity which it apes was developed in architecture. In this purposive domain it defended the aesthetic rights of purposiveness against the barbarism which the semblance of purposivelessness brings with it in that context. It has made standardization and mass production into a matter of art, where its opposite scorns every law of form that is derived from without. The practical is all the more beautiful, the more it repudiates the semblance of beauty. — Theodor W. Adorno, The Culture Industry, 122

Categorization

Category: Causal Relationships

  • DEFINE: Defines the core mechanism of pseudo-individuation: standardization applied to production, while each product claims unique individuality.
  • XREF: The ā€˜relentless repetition of the unrepeatable’ house analogy connects directly to Adorno’s standardization vs. pseudo-individuation formula run throughout the book.