Jim Crow terror produced a protective rationale for beating children
Evidence
Jim Crow (1877–1965): the racial-terror regime of the segregated South — lynching, chain gangs, sundown towns, white-vigilante violence — produced a specific African-American parental rationale for corporal correction: “I beat my child so the police won’t kill my child.” The rationale — documented in the contemporary scholarship of Robin Bernstein’s Racial Innocence (2011) and the broader literature — positions the parent’s corporal correction as a protective act in a context of lethal racial violence. — , The Rod and the Child, 5182
Categorization
- SEED: An essay angle: how protective-parenting rationales formed under state terror persist as self-defeating habits long after the terror recedes — a micro-case of adaptive trauma becoming maladaptive.
- XREF: connects to: Child beating is enabled by structural conditions, not just individual choices — , The Rod and the Child: A Global History…, 4998; The harms of hitting children were invisible to traditional frameworks — , The Rod and the Child: A Global History…, 8177; White masochism arises from guilt over sanctioned sadistic aggression toward blacks — Frantz Fanon, Constance Farrington, Black skin, white masks, 632 (+4 more)
Related
Broader Connections
- Child beating is enabled by structural conditions, not just individual choices
#corroborates(0.75) — , The Rod and the Child, 4998 - Hate violence can be state-encouraged rather than merely irrational individual deviance
#corroborates(0.70) — Khaled A. Beydoun, American Islamophobia_ Understanding…, 101 - Parents who were beaten become numb to their children’s beatings
#expands(0.60) — , The Rod and the Child, 689 - Children learn power rather than moral rules from being physically punished
#expands(0.60) — , The Rod and the Child, 9873 - The harms of hitting children were invisible to traditional frameworks
#qualifies(0.55) — , The Rod and the Child, 8177 - White masochism arises from guilt over sanctioned sadistic aggression toward blacks
#expands(0.55) — Frantz Fanon, Constance Farrington, Black skin, white masks, 632 - White identification with the Negro springs from projected fear of retaliation
#expands(0.50)