Greek culture’s wholeness is only graspable through the ideal of sculpture

Evidence

The Greek concept of ‘form-creation’ (FormtĂ€tigkeit) assumes that selfdetermination is to be thought in terms of the becoming essential of the accident which ïŹnds sensuous representation in the ‘exemplary individual’. On the other hand, the modern concept of plasticity seems to join itself with a concept of self-determination conceived as the becoming accidental of essence, the very development in which the fundamental signiïŹcance of the Incarnation is expressed. Kenosis is the movement through which God, by positing Himself in exteriority and becoming alien to Himself, achieves the fulïŹlment of His being and becomes at once predicate and accident. — Catherine Malabou, The Future of Hegel, 859 (#complicates, via linked claim)

Classical Greece presents the manifest and tangible forms of free individuality in all its serene and unbroken harmony; Greek art remains alien to the experience of heartbreak. The Christian God, on the other hand, is not only an individual gifted with a human form, but a human in actuality and act, exposed to all the vicissitudes of our existence. — Catherine Malabou, The Future of Hegel, 842 (#qualifies, via linked claim)

Categorization

  • XREF: connects to: The Christian God’s vulnerability is what Greek art cannot represent — Catherine Malabou, The Future of Hegel: Plasticity,
, 842; Historicism held that each culture forms a coherent whole penetrable only by sympathy; Plasticity inverts the Greek form-creation into the becoming-accidental of essence — Catherine Malabou, The Future of Hegel: Plasticity,
, 859 (+1 more)

Broader Connections