Financialization colonizes culture by mobilizing everyday fictions like play, creativity, and resistance.

Evidence

Financialization both foments and relies upon discursive and material formations such as precariousness, security, play, creativity and resistance. These are important fictions that are at once reproduced by and help reproduce finance capitalism. I conclude by suggesting that these fictions can be leveraged into opportunities to reimagine social reproduction and renarrate social fictions in ways that open onto different, common horizons, horizons far more fertile than those opened through a simplistic condemnation of financialization as merely unregulated top-down greed. — Max Haiven, Cultures of Financialization, 54

Categorization

  • XREF: This is the core mechanism bridging toward deWaard’s cultural argument about finance’s colonization of imagination — the reader’s stated purpose. — connects to: Communities endure financialized life’s chaos by building shared fictions — Aris Komporozos-Athanasiou, Speculative Communities: Living with…, 563; Financialization colonizes culture through diffuse metaphors, narratives, and techniques — Max Haiven, Cultures of Financialization, 35; Popular culture both reflects and actively constitutes financialization. — Max Haiven, Cultures of Financialization, 94 (+9 more)
  • SEED: The claim that financialization harnesses resistance, creativity, and play as raw material suggests an essay angle: how ‘subversive’ cultural forms get metabolized into speculative value.

Broader Connections