Economic distress was redirected into anti-Catholic conspiracy rather than class conflict.
Evidence
Since the depression embittered class conflict, the A.P.A. profited from social as well as economic frustrations. For lower-middle and working class people bewildered by the clash of organized capital and organized labor, the A.P.A. preached the same message carried by the smaller nativist societies of the eighties—but preached it more widely and explicitly. Industrial unrest was explained as simply another form of papal subversion. According to the A.P.A., the Catholics, sometimes in the person of T. V. Powderley, were fomenting strikes and labor problems as part of a larger plot to overthrow American institutions. — John Higham, Strangers in the Land, 486
Categorization
- XREF: connects to: The depression of 1893, not leadership, explains the anti-Catholic surge — John Higham, Strangers in the Land: Patterns of…, 480; Anti-Catholicism in the 1910s was displaced anti-monopoly resentment, not doctrine. — John Higham, Strangers in the Land: Patterns of…, 1059; Anti-Catholic nativism required a specific religious crisis beyond general economic tension — John Higham, Strangers in the Land: Patterns of…, 352 (+4 more)
Broader Connections
- Broken labor solidarity channeled workers into anti-Catholic nativism.
#corroborates(0.92) — John Higham, Strangers in the Land, 377 - Anti-Catholicism in the 1910s was displaced anti-monopoly resentment, not doctrine.
#corroborates(0.88) — John Higham, Strangers in the Land, 1059 - Anti-Catholic nativism required a specific religious crisis beyond general economic tension
#contradicts(0.82) — John Higham, Strangers in the Land, 352 - Economic dislocation fostered anti-clerical sentiment in England.
#exemplifies(0.75) — Winston Churchill, A History of the English-Speaking…, 559 - Conspiracy culture mirrors rather than challenges the individualism it claims to oppose.
#complicates(0.75) — Naomi Klein, Doppelganger, 760 - Anti-Catholic nativism decayed as intellectuals found race a more respectable enemy frame.
#qualifies(0.72) — John Higham, Strangers in the Land, 567