Civic speech style varies with audience rather than with underlying beliefs

Evidence

Like volunteers, activists sounded less public-spirited when speaking in public than in private, and their language-switching from one context to the next was even more extreme. For example, behind the scenes ^ and as the group developed, in meetings as well ^ members talked about government policies regarding toxic waste, but at demonstrations and other public arenas, they used the same close to home'' language that volunteers used. Someone who heard only their public speech might assume that activists simply lacked the language of solidarity,” but in fact, they spoke it quite £uently behind the scenes, and just lost some of their £uency in more public contexts. — Nina Eliasoph, “Close to home”, 118

Categorization

  • XREF: Connects to Eliasoph’s core ‘close to home’ thesis and to Goffman’s front-stage/back-stage dramaturgy of behavior changing with audience. — connects to: Citizens express narrower ideas as their audience grows wider — Nina Eliasoph, “Close to home”: The work of avoiding…, 32; Political expression is switched on and off by group context rather than individual belief — Nina Eliasoph, “Close to home”: The work of avoiding…, 97; Genre form refracts rather than directly reflects political ideology — Peter Morey, Islamophobia and the Novel, 321 (+4 more)
  • DEFINE: Illustrates what ‘language switching’ and ‘losing fluency’ in public-spirited speech mean analytically — speech fluency is audience-dependent, not a fixed competence.

Broader Connections