Cinema reference calibration permits volumes so high they drive patrons out.
Evidence
There are people who think that the existing situation works well enough, and change would impose an unacceptable burden on the industry. It has been said that customers are not complaining. This could also be construed as evidence of the tolerance and adaptability of moviegoers, who get caught up in a plot, and sound quality is not a large factor in their enjoyment. — , Toole, Floyd E - Sound reproduction-…, 1358 (
#contradicts, via linked claim)
Categorization
- XREF: connects to: Cinema playback level disputes have prompted talk of legal limits; Movies reach audiences through many mismatched sound systems, breaking the calibration loop; Moviegoers tolerate poor sound because plot engagement dominates their enjoyment — , Toole, Floyd E - Sound reproduction-…, 1358
Related
- Cinema playback level disputes have prompted talk of legal limits (similarity 0.88)
- Movies reach audiences through many mismatched sound systems, breaking the calibration loop (similarity 0.85)
- Moviegoers tolerate poor sound because plot engagement dominates their enjoyment (similarity 0.85)
- Cinema’s non-neutral spectral target forces engineers to compensate and varies across venues (similarity 0.79)
- Cinema reference level requires 105 dBC peak capability in screen channels. (similarity 0.79)
Broader Connections
- Movies reach audiences through many mismatched sound systems, breaking the calibration loop
#responds-to(0.85) - Moviegoers tolerate poor sound because plot engagement dominates their enjoyment
#contradicts(0.80) — , Toole, Floyd E - Sound reproduction-…, 1358