Broadcast television uniquely allowed serious class drama to reach a cross-class national audience

Evidence

There is no other medium which could virtually guarantee an audience of millions with a full quota of manual workers and stockbrokers for a “serious” play about class. — Mark Fisher (edited by Darren Ambrose), K-Punk, 336

Categorization

  • SEED: Angle: how TV’s shared mass audience enabled a kind of public conversation that streaming fragmentation has dissolved.
  • ADDENDUM: Relates to the recurring lament (ch20 book_so_far) of TV shifting from authorial vision to actor vehicles — this is the historical high-water mark that loss is measured against.
  • XREF: connects to: Television’s arrival raised the question of a shift from class culture to mass culture; Television has fragmented from a shared national culture into segmented audiences — Robert D. Putnam, Bowling Alone The Collapse and Revival…, 846; Mid-1950s television achieved the largest simultaneous shared attention in history — Tim Wu, The Attention Merchants, 453 (+4 more)

Broader Connections