Avoiding politics is itself an active cultural performance, not a mere absence of participation.

Evidence

But we can reĀ¢ne the concept of hegemony, here, by asking: how do citizens actively explain their powerlessness? Volunteers’ self-interest talk did indeed respond to powerlessness, but calling it simply a response to powerlessness'' is not enough. If there is no exit from the political world, then political silence must be as active and as colorful as a bright summer shadow. Developing a sense of togetherness happened in reference to a sense of powerlessness, but was not just a reaction to it; cultural work acknowledges powerlessness but does not stop there. If the ways of avoiding political engagement are potentially inĀ¢nite, then why did packaging gloomy feelings inside of professions of self-interestā€ feel better to volunteers? — Nina Eliasoph, ā€œClose to homeā€, 52

Categorization

  • XREF: This reworking of hegemony as active cultural work echoes the reader’s interest in resistance vs. quiet accommodation; connects loosely to how ordinary people maintain consent under constraint. — connects to: Everyday political avoidance is active communicative work, not mere apathy — Nina Eliasoph, ā€œClose to homeā€: The work of avoiding…, 1; Avoiding political talk is cultural convention, not natural human urge. — Nina Eliasoph, ā€œClose to homeā€: The work of avoiding…, 101; Avoidance of hard topics is tacit cultural practice rather than a conscious decision. — Nina Eliasoph, ā€œClose to homeā€: The work of avoiding…, 96
  • DEEPTHINKING: The image of ā€˜political silence as active and as colorful as a bright summer shadow’ reframes withdrawal as performance and deserves sitting with — it resists the passive-victim model of quiescence.
  • corroborated: 5 independent passages support this claim — Nina Eliasoph, ā€œClose to homeā€: The work of avoiding…, 52

Broader Connections