Artistic creativity is curation and synthesis, not inner depth

Evidence

You can’t just put Visconti and Bowie together in a studio in 2012 and expect the equivalent of Low, “Heroes” or Lodger to result. The sorcerous powers that artists seem to possess as of right are never really theirs. Bowie — who perhaps more than any artist has performed the pop star’s lack of interiority — has always known this, and he and Eno did much to puncture the Romantic conceit that creativity comes from the mysterious inner depths of a musician. Bowie’s serial passage through personae, concepts and collaborators only telegraphed what is always the case: that the artist is synthesizer and curator of forces and ideas. — Mark Fisher (edited by Darren Ambrose), K-Punk, 1311

Categorization

  • SEED: Could support an essay on the myth of the ‘return to form’ — why reuniting original collaborators or settings so rarely restores an artist’s peak power.
  • XREF: The ‘artist as synthesizer and curator’ view resonates with the chapter’s broader interest in pop stardom, masks, and lack of interiority. — connects to: Artistic expression is not instinctual sublimation but an objective polemical self-revelation; Art and play preserve depth only by retaining life’s traces in autonomous forms; Works become foundational by synthesizing perspectives rather than championing one theory — , Rudman, Laurie A - On the Nature of
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Broader Connections