Public art that frames existing context beats conspicuous sculptural works

Evidence

I like to consider this piece in contrast with how we normally experience public art, which is some giant steel thing that looks like it landed in a corporate plaza from outer space. Coppola instead casts a subtle frame over the whole of the city itself, a light but meaningful touch that recognizes art that exists where it already is. — Jenny Odell, How to Do Nothing, 56

Categorization

Category: Contrarian or Surprising Claims