A single movie mix should translate across cinema, home and headphone playback

Evidence

One movie “mix” should be compatible with all audiences, in cinemas and homes, using loudspeakers, headphones or VR devices. Repurposing should not be required. — Toole, Floyd E, Sound reproduction- the acoustics and…, 366

Categorization

• XREF: connects to: Movies reach audiences through many mismatched sound systems, breaking the calibration loop; The cinema ‘closed loop’ of sound translation has broken as viewing fragmented — Toole, Floyd E, Sound reproduction- the acoustics and…, 1406; Mixing in acoustically dead rooms complicates translation to lively home listening — Toole, Floyd E, Sound reproduction- the acoustics and…, 332 (+3 more)
• yield-rescued: below the book’s yield-target cutoff, included anyway for connecting to: Movies reach audiences through many mismatched sound systems, breaking the calibration loop; The cinema ‘closed loop’ of sound translation has broken as viewing fragmented — Toole, Floyd E, Sound reproduction- the acoustics and…, 1406; Mixing in acoustically dead rooms complicates translation to lively home listening — Toole, Floyd E, Sound reproduction- the acoustics and…, 332 (+3 more)

Broader Connections

• The cinema ‘closed loop’ of sound translation has broken as viewing fragmented #complicates (0.90) — Toole, Floyd E, Sound reproduction- the acoustics and…, 1406
• Movies reach audiences through many mismatched sound systems, breaking the calibration loop #complicates (0.85)
• Mixing in acoustically dead rooms complicates translation to lively home listening #complicates (0.82) — Toole, Floyd E, Sound reproduction- the acoustics and…, 332
• Loud movie mixes get turned down, dragging dialogue below intelligibility #complicates (0.75) — Toole, Floyd E, Sound reproduction- the acoustics and…, 1915
• Music favors longer RT near 0.5 s while movies prefer 0.2 s #complicates (0.75)