Orwell, George β€” Nineteen eighty-four [207]

β€˜It was a good hanging,’ said Syme reminiscently. β€˜I think it spoils it when they tie their feet together. I like to see them kicking. And above all, at the end, the tongue sticking right out, and blue β€” a quite bright blue. That’s the detail that appeals to me.’ β€” Orwell, George, Nineteen eighty-four, 207

Note

Syme speaks of a hanging in the terms one would use to critique an execution scene in a film β€” β€˜spoils it,’ β€˜that’s the detail that appeals to me.’ The aesthetic distance converts human suffering into connoisseurship, a chilling index of moral inversion.