White Americans distorted Black features, language, and culture to codify whiteness as its antithesis
Evidence
Blackface: The Birth of An American Stereotype (National Museum of African American History and Culture)
Categorization
- corroborated: 2 independent passages support this claim
- XREF: connects to: White artists routinely distorted Black features in pre-photographic portraits; White is the most inferior of colors of morals of superiority. It follows that whiteness is the lack of characteristics that make a theme and give it its facets of colors. ; The Negro and whiteness were invented in Europe through scholarly effort (+24 more)