Western epistemology’s root metaphors sexualize and dominate the known

Evidence

In addition the idea of discovery, of revelation, includes an idea of appropriative enjoyment. What is seen is possessed; to see is to deflower. If we examine the comparisons ordinarily used to express the relation between the knower and the known, we see that many of them are represented as being a kind of violation by sight. The unknown object is given as immaculate, as virgin, comparable to a whiteness. It has not yet “delivered up” its secret; man has not yet “snatched” its secret away from it. All these images insist that the object is ignorant of the investigations and the instruments aimed at it; it is unconscious of being known; it goes about its business without noticing the glance which spies on it, like a woman whom a passerby catches unaware at her bath. Figures of speech, sometimes vague and sometimes more precise, like that of the “unviolated depths” of nature suggest the idea of sexual intercourse more plainly. We speak of snatching away her veils from nature, of unveiling her (cf. Schiller’s Veiled Image of Saïs). Every investigation implies the idea of a nudity which one brings out into the open by clearing away the obstacles which cover it, just as Actaeon clears away the branches so that he can have a better view of Diana at her bath. More than this, knowledge is a hunt. Bacon called it the hunt of Pan. The scientist is the hunter who surprises a white nudity and who violates by looking at it. Thus the totality of these images reveals something which we shall call the Actaeon complex. — Jean-Paul Sartre, Being and Nothingness, 1352

Categorization

  • FICTION: The Actaeon complex — the knower as hunter who violates by looking, punished (in myth) for that look — is a ready-made fable engine for a story about a scholar or scientist destroyed by the thing they uncovered.
  • SEED: Plot: an essay tracing how ‘the scientific gaze as masculine violation’ metastasized from Sartre through feminist epistemology (Haraway, Keller) into debates about AI scraping and data extraction — the hunt-of-Pan updated.
  • SHARE: The specific line that Bacon called science ‘the hunt of Pan’, and the etymology chain snatch/veil/deflower, would land with someone working on rhetoric of science or colonial extraction discourse.
  • XREF: This directly anticipates the modern critiques of the extractive male-gaze in science, connecting to feminist epistemology and to postcolonial accounts of nature-as-female-exploited-resource. — connects to: Rising non-Western cultures relativized the Western episteme; Language preserves fossilized worldviews within its living metaphors — Antonio Gramsci, Selections from the Prison Notebooks, 1599; Discourse collapses the thought-action divide and shapes how the West behaved toward others — Stuart Hall, Essential Essays, Volume 2: Identity…, 569 (+12 more)

Broader Connections