Vienna’s cultural flowering emerged from the crisis of a weak liberal bourgeoisie
Evidence
Carl Schorske in his brilliant studies of fin-de-siècle Vienna suggests that we should see the city’s incredible cultural efflorescence in the context of the crisis of the liberal bourgeoisie which was that régime’s main social prop. Two basic social facts distinguish the Austrian from the French and English bourgeoisie: it did not succeed either in destroying or in fully fusing with aristocracy; and because of its weakness, it remained both dependent upon and deeply loyal to the emperor as a remote but necessary father-protector.’ The outsider status of the bourgeoisie was reinforced by the larger proportion of Jews within its ranks — 80 per cent of bankers were Jewish, as was the great steelmaster Karl Wittgenstein, the philosopher’s father. — Alex Callinicos, Against Postmodernism, 206
Carl Schorske in his brilliant studies of fin-de-siècle Vienna suggests that we should see the city’s incredible cultural efflorescence in the context of the crisis of the liberal bourgeoisie which was that régime’s main social prop. Two basic social facts distinguish the Austrian from the French and English bourgeoisie: it did not succeed either in destroying or in fully fusing with aristocracy; and because of its weakness, it remained both dependent upon and deeply loyal to the emperor as a remote but necessary father-protector.’ — Alex Callinicos, Against Postmodernism, 206
Categorization
- SEED: The idea that a city’s greatest cultural moment was born from political defeat rather than triumph is a rich essay angle on creative output emerging from weakness and blocked action.
- XREF: Connects to the external Jameson debate — this is internalizing the historical-materialist method that the Anderson thesis in chapter 210 relies on, and to the general art-as-substitute-for-politics theme seen in modernism discussions. — connects to: Pre-WWI Vienna’s stylistic diversity grew from crisis over shifting space and time — David Harvey, The Condition of Postmodernity: An…, 1746; Political defeat turned Viennese bourgeois assimilation into a retreat into art — Alex Callinicos, Against Postmodernism: A Marxist…, 207; A failed bourgeois revolution stems from economic weakness and historical timing — Antonio Gramsci, Selections from the Prison Notebooks, 483 (+2 more)
- DEFINE: Schorske’s model of a failed/weak bourgeoisie, father-protector emperor, and outsider status supplies concrete social structure against which Jameson’s period claims can be tested.
- corroborated: 2 independent passages support this claim — Alex Callinicos, Against Postmodernism: A Marxist…, 206
Broader Connections
- Political defeat turned Viennese bourgeois assimilation into a retreat into art
#expands(0.88) — Alex Callinicos, Against Postmodernism, 207 - Pre-WWI Vienna’s stylistic diversity grew from crisis over shifting space and time
#corroborates(0.82) — David Harvey, The Condition of Postmodernity, 1746 - A failed bourgeois revolution stems from economic weakness and historical timing
#corroborates(0.75) — Antonio Gramsci, Selections from the Prison Notebooks, 483 - Austria’s contradiction resolves once capitalism is understood as prioritizing class war over growth
#complicates(0.72) — Clara E. Mattei, Escape from Capitalism, 348