Urdu prose narratives bear no trace of colonial resistance or national sentiment

Evidence

The remarkable thing about all the major Urdu prose narratives which were written during the half-century in which the British completed their conquest of India is that there is nothing in their contents, in their way of seeing the world, which can reasonably be connected with the colonial onslaught or with any sense of resistance to it; by contrast, there is a large body of letters as well as poetry which documents that colossal carnage. It is as if the establishment of printing presses and the growth of a reading public for prose narratives gave rise to a kind of writing whose only task was to preserve in books at least some of that Persianized culture and those traditions of orality which were fast disappearing. — Aijaz Ahmad, In Theory, 193 (#corroborates, via linked claim)

That history we shall ignore, but a certain material condition of that production can be specified: many - though by no means all - of those prose narratives of the opening decades of the nineteenth century were written and published for the simple reason that a certain Scotsman, John Gilchrist, had argued within his own circles that employees of the East India Company could not hope to administer their Indian possessions on the basis of Farsi alone, and certainly not English, so that Fort William College was established in 1800 for the education of the British in Indian languages. — Aijaz Ahmad, In Theory, 450 (#corroborates, via linked claim)

Categorization

  • XREF: connects to: Nineteenth-century Urdu prose fiction ignored colonial conquest while poetry and letters documented it — Aijaz Ahmad, In Theory: Nations, Classes, Literatures, 193; British administrative needs, not nationalist impulses, generated early Urdu prose production — Aijaz Ahmad, In Theory: Classes, Nations, Literatures, 450; Class and gender pressures, not colonialism, shaped the formative Urdu novel (+5 more)

Broader Connections