The vampire harem in Dracula encodes Western fears of Eastern sexuality.

Evidence

Dracula’s female vampires comprise his harem. As David Glover argues, “Jonathon’s… seduction by the Count’s three ‘brides’… reinforces Dracula’s identification with the mysterious East, for it is modeled upon the conceit that the influence of Turkish culture on Vlad the Impaler, following his youthful days in Istanbul, would have led him to keep a harem.” The encounter between Jonathon and these female creatures is one of the most sexually explicit in the text. It is yet another example of the Western idea of the harem as a den of delight, a site of unimaginable pleasures. — Sophia Rose Arjana, Muslims in the Western Imagination, 546

Categorization

Category: Causal Relationships

  • XREF: Connects to the earlier chapters on the harem as a Western erotic fantasy device in Orientalist literature — this is a literary echo of that pre-existing construct.
  • SEED: The vampire harem as a screen onto which Victorian anxieties about Eastern sexual excess are projected — a strong thread for a piece on how horror monsters carry political content.