The Throne of Weapons reflects Mozambique’s colonial legacy and Cold War influence.

Evidence

Although it is entirely made from chopped-up guns, in its shape the Throne of Weapons looks like a conventional wooden armchair – the homely sort you might find in a kitchen or at a dinner table. But that’s the only conventional thing about it. The guns that make up this chair in fact track the twentieth-century history of Mozambique. The oldest, forming the back, are two antiquated Portuguese G3 rifles – appropriately so, as Portugal was the country’s colonial master for nearly 500 years until independence in 1975. That independence was won by a left-wing resistance movement, FRELIMO, which was supported by the Soviet Union and its allies. This explains why all the other elements of the chair are dismembered guns manufactured in the communist bloc: the arms of the chair are from Soviet AK47s, the seat is formed from Polish and Czechoslovakian rifles, and one of the front legs is the barrel of a North Korean AKM. This is the Cold War as furniture, the Eastern Bloc in action, fighting for communism in Africa and across the world. — Neil MacGregor, A History of the World in 100 Objects, 1486

Categorization

• XREF: The passage highlights the specific historical context of Mozambique post-independence. — connects to: The Throne of Weapons symbolizes Mozambique’s recovery from past violence through art. — Neil MacGregor, A History of the World in 100 Objects, 1488; The design of the Throne of Weapons provokes reflections on violence and humanity. — Neil MacGregor, A History of the World in 100 Objects, 1490
• corroborated: 2 independent passages support this claim — Neil MacGregor, A History of the World in 100 Objects, 1486

Broader Connections

• The design of the Throne of Weapons provokes reflections on violence and humanity. #expands (0.70) — Neil MacGregor, A History of the World in 100 Objects, 1490