The second brass resonance mode is the lowest usable musical pitch
Evidence
The second mode is therefore the lowest musically usable mode avail able in a brass instrument (note that the lowest mode does not correspond with 1F). Overblowing from the second mode to the third mode results in a pitch jump of a perfect fifth, or seven semitones. — David Howard, Jamie Angus, coustics and Psychoacoustics, 1276
Categorization
- XREF: This connects to why brass instruments naturally jump fifths when overblown — relevant to the reader’s acoustic model building. — connects to: Brass instruments have no usable fundamental and start from their second mode — David Howard, Jamie Angus, coustics and Psychoacoustics, 1276; Musical instrument range stays below the auditory pitch-perception ceiling; Brass instruments differ sharply in how many harmonics their tones carry
Broader Connections
- Brass instruments have no usable fundamental and start from their second mode
#corroborates(0.95) — David Howard, Jamie Angus, coustics and Psychoacoustics, 1276 - Musical instrument range stays below the auditory pitch-perception ceiling
#qualifies(0.72) - Brass instruments differ sharply in how many harmonics their tones carry
#expands(0.72)