The Mahdist rebellion forced Egyptian satirists to redraw Sudanese images

Evidence

In his drawings of the Sudanese Mahdï, published several years later, the miraculously successful rebellion in the Sudan against British and Egyptian forces forced Sanüa to rethink his representations of the Sudanese, at least those still living and fighting in the Sudan. … This time, the Sudan is personified as an obese man with a dagger hanging from his robe, about to gobble up tiny British soldiers. The Sudan figure here is exaggerated and oversized, but not infantilized. — <cite>Eve M. Troutt Powell, A Different Shade of Colonialism_…, 332</cite> (#expands`, via linked claim)

From the early 1870 to 1872, when he was writing his short plays in colloquial Arabic and having them performed, through his first issues of Abü Nazzara Zarqa, published from 1875 to 1878, Sanüa’s writings incorporated a tradition of cultural stereotypes about Nubians and Sudanese that had long been found in Egyptian popular entertainment.Was he questioning these stereotypes by reflecting them so boldly in these early dramas? Or was he reinforcing them? Did the political turbulence of the Mahdïya truly cause him to reassess the situation in the Sudan and perhaps the awareness of the Sudanese around him, thus enabling him to cast these old caricatures in new roles? — <cite>Eve M. Troutt Powell, A Different Shade of Colonialism_…, 335</cite> (#complicates`, via linked claim)

Categorization

  • XREF: connects to: Egyptian satirists linked Sudanese conquest to Egypt’s own subjugation; Sudanese caricatures in Egyptian popular culture coincided with Sudanese anti-British revolt; Sudanese slaves in Egypt were caricatured as cartoons and comic characters — Eve M. Troutt Powell, A Different Shade of Colonialism_…, 787 (+11 more)

Broader Connections