The ear sums all sound energy within a critical band into one perceived item

Evidence

The first effect is that the ear seems to lump all the energy within a critical band together and treat it as one item of sound. So when all the sound energy is concentrated within a critical band, the loudness is proportional to the total intensity of the sound within the critical band. … As the ear is sensitive to sound pressures, the sound intensity is proportional to the square of the sound pressures, as discussed in Chapter 1. Because the acoustic intensity of the sound is also proportional to the sum of the squared pressure, the loudness of a sound within a critical band is independent of the number of frequency components so long as their total acoustic intensity is constant. When the frequency components of the sound extend beyond a critical band, an additional effect occurs due to the presence of components in other critical bands. In this case, more than one critical band is contributing to the perception of loudness, and the brain appears to add the individual critical band responses together. The effect is to increase the perceived loudness of the sound even though the total acoustic intensity is unchanged. — David M. Howard, Jamie Angus, Acoustics and Psychoacoustics, 665 (#expands, via linked claim)

Categorization

  • XREF: connects to: Critical bands are the most important psychoacoustic principle for music perception — David M. Howard, Jamie Angus, Acoustics and Psychoacoustics, 508; Only harmonics separated by more than the ear’s critical bandwidth are resolved; Spreading a sound’s energy across more critical bands increases perceived loudness without raising intensity — David M. Howard, Jamie Angus, Acoustics and Psychoacoustics, 665 (+4 more)

Broader Connections