The critical bandwidth at 1 kHz measures about 150 Hz via phase detectability.

Evidence

Sound of a given frequency can block our ability to hear softer sounds at nearby frequencies, but distant frequencies are not affected. The threshold for detecting the softer sound is raised by the presence of a louder sound within the same critical bandwidth. Even if the softer sound is audible, it will not seem as loud as it would if played alone. Similarly, two tones that fall within the same critical bandwidth will appear to be less loud together than two tones of the same total energy that fall outside each others’ critical bandwidths. — Eric J. Heller, Why You Hear What You Hear- An…, 2009 (#expands, via linked claim)

Categorization

• XREF: connects to: Critical bandwidth at 2 kHz center frequency is 300 hertz; Critical-band rate is measured in Barks, ranging 0 to 24 across the audible spectrum.; Critical band bandwidths grow from 100 Hz to over 2 kHz with frequency (+2 more)

Related

• Critical bandwidth at 2 kHz center frequency is 300 hertz (similarity 0.92)
• Critical bandwidth marks the perceptual shift from rough to smooth tone resolution (similarity 0.89)
• The critical-band-rate scale mirrors hearing better than raw frequency (similarity 0.87)
• Critical bandwidth is measured through masking effects rather than direct perception (similarity 0.87)
• Critical bandwidth varies a hundredfold across the audible range. (similarity 0.87)
• Critical bandwidth at 1 kHz is 160 Hz and governs loudness behavior (similarity 0.86)
• Critical bandwidth at one kilohertz is about 150 hertz (similarity 0.86)
• Critical-band rate is measured in Barks, ranging 0 to 24 across the audible spectrum. (similarity 0.84)
• Critical bandwidth marks the point where noise loudness begins to grow with bandwidth (similarity 0.84)
• Phase-change sensitivity in hearing is bounded by critical bandwidth, scaling with centre frequency. (similarity 0.84)
• Phase-change detection yields a critical bandwidth of 150 Hz at 1 kHz (similarity 0.83)
• Auditory critical bandwidth stays constant at 100 Hz below 500 Hz then rises proportionally. (similarity 0.83)
• Auditory filter bandwidth scales nonlinearly with center frequency (similarity 0.83)
• Critical band bandwidths grow from 100 Hz to over 2 kHz with frequency (similarity 0.82)
• Critical bandwidth corresponds to the masker frequency range that fills a single auditory filter (similarity 0.82)

Broader Connections

• Critical band bandwidths grow from 100 Hz to over 2 kHz with frequency #exemplifies (0.90)
• Masking acts within critical bandwidths, leaving distant-frequency sounds unaffected #expands (0.72) — Eric J. Heller, Why You Hear What You Hear- An…, 2009
• AM and FM sidebands become perceptually identical once spacing exceeds the critical bandwidth. #expands (0.72)