Subcultures survive political defeat through suspended animation or passage-finding rather than surrender

Evidence

Still, the mood of Savage Messiah is far from hopeless. It’s not about caving in, it’s about different strategies for surviving the deep midwinter of Restoration London. People living on next to nothing, no longer living the dream, but not giving up either: ‘Five years since the last party but he held his plot, scavenging for food like a Ballardian crash victim.’ You can go into suspended animation, knowing that the time is not yet right, but waiting with cold reptile patience until it is. Or you can flee Dystopian London without ever leaving the city, avoiding the central business district, finding friendly passages through the occupied territory, picking your way through the city via cafes, comrade’s flats, public parks. — Mark Fisher, Ghosts of My Life, 477

Categorization

  • XREF: Relates to Fisher’s broader hauntology thesis of stalled futures and the ‘slow cancellation of the future’; resonates with his famous 2014 essay on the zombie politics of the post-2008 present. — connects to: Enduring cultural movements arise from insular real-world subcultures — W. David Marx, Blank Space: A Cultural History of the…, 864; Ruling classes absorb and neutralize subversive movements through transformism — Antonio Gramsci, Selections from the Prison Notebooks, 2079; Defeated cultural movements can be re-potentiated from their archives after decades — Mark Fisher (edited by Darren Ambrose), K-Punk: The Collected and Unpublished…, 1369 (+3 more)
  • QUESTION: Worth chasing — does Savage Messiah’s inventory of passages itself belong to a documented genre of ‘refusal of work’ or dérive-inspired urban survival literature?

Broader Connections